
Matthew ‘Math’ Albritton
A generational cattleman who reads the ground like scripture. The day he loses Patricia, he decides God only takes. The truth won’t let him leave it there.
Truth & Fire
An American television drama in development.
Someone moved the line. In the cattle country of Old Florida, a widowed rancher has to dig up the truth about his land, his people, and his God before the story built on top of it buries them all.
A Florida story of Cowboys, Devils, and Truth
Created by Billy Ray Hunter II
Written by James Pitt
Series artwork and original music with vocals and narration · 1:33
The reel is a sequence of painted series artwork set to music. The vocals sing the traditional hymn “I Know That My Redeemer Lives” (words by Samuel Medley, 1775, with the traditional “Glory, hallelujah” refrain).
Music begins, a woman’s voice singing softly.
On screen North Florida.
Pine flatwoods, palmetto, and a line
a man’s grandfather once bled over.
Buck Sandlin and Math on horseback at the pens, a lone rider beyond the fence.
Math, in voice-over: “You learn to read this country. The weather, the cattle. The men that work for you, and the men that work against you.”
Young Math and Patricia work the cattle pens together at sunrise, leaning on the weathered rails with the herd behind them.
Math: “Patricia used to say the brand on that gate wasn’t just a brand, it was a prayer.”
Young Patricia leans on the rails by the gate, smiling at Math as he works the chain.
[A lone cowboy’s voice sings]
I know that my Redeemer lives,
glory, hallelujah!
What comfort this sweet sentence gives,
glory, hallelujah!
At sunset, Patricia kneels in the grass and places the reins in Math’s hands.
Math bends to kiss Patricia’s forehead as she lies in a hospital bed.
Math: “Then the Lord took her.”
Math rides out alone among the cattle through the morning fog, the fence line behind him.
Math: “I quit praying. I kept the fence lines. Let the rest go.”
Math kneels in the grass, his head bowed over his hat, while a lone rider watches from across the pasture.
On the porch at dusk, Math holds Patricia’s small pink Bible, her face in the evening sky.
He lives, my everlasting Head,
glory, hallelujah!
Math leans on a fence and watches a lone rider cross the misty field.
Math sits his horse at the edge of the pasture as a storm builds over the Big J.
Math: “Then they found a man dead on the line my granddaddy bled over.”
At the boundary line, Math and Sheriff Pat Hartley stand by a fallen figure in the palmetto.
Math: “Hartley asked me if I was ready to stand on it. I was.”
Shout on, pray on, we’re gaining ground,
glory, hallelujah!
Math kneels in the pasture, hat in hand.
Math: “Trouble was, I was standing on a line somebody else had moved, and I walked right into it.”
The dead’s alive and the lost is found,
glory, hallelujah!
Math stands at a broken fence with two ranch hands and the cattle.
On screen “Remove not the ancient landmark,
which thy fathers have set.”
Proverbs 22:28
The music falls silent.
On screen Someone did.
[His voice rises again]
The dead’s alive and the lost is found,
glory, hallelujah!
Math gathers with the families and neighbors of the Big J, a golden retriever at their feet.
On screen CRACKER
Truth & Fire
Created by Billy Ray Hunter II · Written by James Pitt
Experimentum Crucis Media · Cracker Cowboy Productions
The logos of Experimentum Crucis Media and Cracker Cowboy Productions appear. The reel fades to black.
Listen: James Pitt on 97.3 The Sky · 15:24
Many thanks to Bob Rose and Greg Cassidy for welcoming James Pitt into the studio at 97.3 The Sky in Gainesville. They talked about Old Florida, the cattle country that shaped it, and the story behind CRACKER: Truth & Fire, a saga of faith, family and the land. Pull up a chair and listen to the full interview.
Long before the Texas trail drives, there were cattlemen in Florida, working half-wild herds through palmetto, pine, and swamp.
In the flatwoods of North Florida, Math Albritton runs the Big J, land his grandfather once bled to defend and believed was given to him in trust by God. Twenty years ago his wife, Patricia, put the reins in his hands and told him he was a man who could never ignore a true thing. Now she is gone. The faith they shared has gone silent in him, and the Lord who gives has become, to Math, only the Lord who takes.
Patricia is never far. She is in the house he cannot bear to sleep in, in the verses she read to him on the porch swing, and in her small pink Bible, which he carries everywhere and has not yet opened. Grief is the fire. What it burns away, and what it leaves standing, is the story.
When a young fence rider is found dead at the boundary line, Math goes to the ground with his foreman, Buck Sandlin, who will not leave his side, and Sheriff Pat Hartley, who calls him “son” and tells him his work now is to go on, and to go on clean. An old boundary stone, buried family history, and a story that almost fits pull him toward a fast conclusion. The truth will ask more of him than certainty.
And at the edge of the pines, a quiet cowboy called Boar Hog keeps watch. He was there before anyone knew to look for him, and he has not come by chance.
Math’s road back to God will be neither quick nor clean. There will be bitterness and anger as surely as grace, and he will not walk it alone. The young hands on the Big J, the families across the fence, the neighbors who knew Patricia: each of them carries a struggle of their own, with losses and victories of their own. Some nights will be long. None of them is the end of the story.
Conceived on the grand scale of the land it comes from, CRACKER: Truth & Fire is a television drama about how faith is actually lived: slowly, imperfectly and at real cost, as one Old Florida family and the community around it struggle through grief, anger and failure toward lives that bear witness to the existence, power and love of God. It walks through the dark, in the good, the bad and the ugly, and it does not stay there.







A generational cattleman who reads the ground like scripture. The day he loses Patricia, he decides God only takes. The truth won’t let him leave it there.

Math’s late wife and his partner in the work and the faith. To her the Big J was a prayer. She put the reins in his hands, and her small pink Bible is still with him.

The Big J’s foreman. Calls Math “brother,” holds him up when he can’t stand, and saw something on the highway he hasn’t told a soul.

A quiet rider, timeless and unhurried. He doesn’t happen upon the Big J by chance. He was sent, and he is watching.

Plain clothes, a small gold badge, no gun. He calls Math “son,” calls grief a trust to be carried, and won’t let him mistake being certain for being true.
Character portraits are concept art. Casting is underway.

Executive Producer · Writer · Matthew “Math” Albritton
For James Pitt, CRACKER: Truth & Fire brings together three enduring parts of his life: his roots in rural Florida, his work as an actor and storyteller, and his Christian understanding of the human condition.
Born in Eustis and raised in Williston, Pitt grew up in historic Cracker cattle country. The pine flatwoods, working ranches, horses, cattle, and independent character of North Florida are not a backdrop to him. They are the world that first shaped him.
A veteran of the U.S. Coast Guard, Pitt went on to a career in film and television, with roles in James Cameron’s Avatar and Close to Home. He won Best Actor at the 2023 LA Indies Fest for Because of This, which he co-produced, and was nominated for Best Actor at the 2013 Idyllwild CinemaFest for There / Not There.
Pitt writes and produces the series and is attached to play Matthew “Math” Albritton, a man whose strength and experience have prepared him for almost everything except the truth he must finally confront. The series reflects his conviction that the spiritual side of life deserves the same seriousness in drama as the psychological, the political, or the physical. That conviction is rooted in his faith in Christ as the eternal Logos, who entered the material world and revealed divine love through human experience. Yet CRACKER is not a conventional religious drama. Its characters are human beings facing choices, consequences, suffering, and the promise of redemption.
He has a wonderful wife and son, and a large, close extended family.

Creator
Billy Ray Hunter II is the creator of CRACKER: Truth & Fire, a dramatic series rooted in the land, people, and enduring traditions of rural Florida.
A working Florida cattle rancher, longtime detective, and decorated SWAT operator, Hunter brings an uncommon breadth of firsthand experience to the series. His extensive specialized tactical and law enforcement training, and a career spent confronting some of the hardest realities of human behavior, sit alongside a cattleman’s life that keeps him tied to the land and to the traditions that have shaped generations of rural Floridians.
His connection to the story is also personal. On his father’s side, the Hunter family’s Florida roots reach back to the 1700s, before the Albrittons arrived. Through his mother’s family he descends from the Albrittons, whose name is carried by the series’ central character, Matthew “Math” Albritton.
At the center of Hunter’s life is a deep and abiding faith in Jesus Christ. It is not a matter of observance alone but a conviction that shapes how he understands human nature, good and evil, sacrifice, and redemption. In his storytelling these are not abstract themes. They are realities he has met across a lifetime of service, work, family, and faith.
Hunter continues to develop the series in close collaboration with James Pitt. Their shared commitment, grounded in mutual respect and Christian brotherhood, has grown into a friendship as close as family.
He has the support of his devoted wife, and is the father of six sons and a daughter and the grandfather of two grandsons.


A series from Experimentum Crucis Media, produced with Cracker Cowboy Productions.
An original arrangement of the traditional hymn “I Know That My Redeemer Lives” (words by Samuel Medley, 1775), created for CRACKER: Truth & Fire.